A full day of footage
Every one of your camera and audio recorder clips synced in one timeline. Every track labeled automatically. Merged or multicam clips built for you. The most advanced sync tech, down to a fraction of a frame. Built by a team of professional editors and post-production supervisors.No cloud AI. No XML round-trips. No subscriptions.
A Premiere plug-in designed for MacSync that tells you which clips to trust.
A whole day of interview footage on one Premiere timeline, matched by sound and checked against timecode — with a verdict on every clip. Green is done. Orange is a glance. Red needs your hand.
No clip left behind.
BiteMark Sync handles even the trickiest clips with no usable audio or timecode. If it can be synced, BiteMark Sync gets it done.
Each clip gets a color designation and is dropped onto a labeled track, so you know exactly where to spend your attention and, just as importantly, where not to.
Optional merged or multicam clips are included in your sequence and organized in a bin, ready for you to edit.
Green: done
A confident lock stands behind it. Nothing to check.
Orange: worth a glance
A plausible sub-lock, or an unverifiable placement sitting next to anchored material. A few seconds of ears settles it.
Red: needs your hand
Reserved for genuine failure, and nothing else.
Two steps.
The usual way takes five and it's outside of Premiere.
The most advanced sync tech.
It listens. It checks the clock. It verifies the sync.
One entire day locked in.
Most clips are settled by the first sync tech tried. The stubborn ones get everything. From an audio fingerprint to a channel-by-channel waveform analysis. A clip that costs BiteMark Sync a minute is a clip that would have cost you ten.
Matches the sound in every track, from the shape of the room noise down to the words being spoken.
Cross-checks every clock your gear records, and the order you shot in.
Re-checks every placement against the rest of the day before anything lands on your timeline.
What it reads.
BiteMark Sync opens and works with any camera or audio recorder file your Premiere can open and work with.
When it meets a file Premiere genuinely can't open, it says which format it met and which tool you need.
What it needs.
Premiere Pro 26.5 or newer
A few camera raw formats need their maker's free software. RED R3D: BiteMark Sync reads the sound and camera clock through REDCINE-X PRO. Blackmagic RAW: Premiere needs Blackmagic's importer to play it. Either way, BiteMark Sync names the format it met and tells you exactly which tool you need.
Free private beta.
We're letting professional editors in a few at a time. If you're an editor whose work this sync technology was built for, leave an address and we'll find you a seat.